Reviews
| ...Nina Lejderman's clear-toned Nymph... |
| Euridice (Stephen Oliver) |
| British Youth Opera |
| Richard Morrison |
| The Times |
| 10.9.10 |
| ...outstanding performances from Nina Lejderman (Isifile)... |
| Il giasone |
| Royal Academy of Music |
| Fiona Maddocks |
| The Guardian |
| 16.5.10 |
| Two performances were exceptional. Nina Lejderman’s soprano might be small, but she manipulated it with penetrating force, and made Hypsipyle’s final aria of tragic lament the high point that it was meant to be. |
| Il giasone |
| Royal Academy of Music |
| Geoff Brown |
| Times Online |
| 11.5.10 |
| Soprano Nina Lejderman (Isifile) made the transition from the somewhat dull and abandoned wife to the true heroine of the plot convincingly. Her lament in Act Three seemed to have the audience spell-bound: one could have heard a pin drop in the auditorium. |
| Il giasone |
| Royal Academy of Music |
| Agnes Kory |
| MusicalCriticism.com |
| 10.5.10 |
| The vocal works were Handel’s Parti l’idolo mio and Meine Seele hört im Sehen (HWV 147/207), sung beautifully by Nina Lejderman, a talented Swedish soprano who has recently completed a postgraduate course at the Royal Academy of Music. |
| St. George's, Hanover Square |
| Lunchtime Concert |
| Andrew Benson-Wilson |
| Early Music Review |
| November 2009 |